Alien

Last week I attended a local book festival that offered a day of independent and small press books (Easton Book Festival) and came away with Lanternfly August by Robin Gow. The poems fascinate me on a number of levels, especially as I love poetry that interconnects with science–biology in particular–and with the diverse experiences that make up a human life.

But first, some context or references. Gow hails from eastern PA, from a rural area north of me, and now lives in Allentown. This region of Pennsylvania was port-of-entry for the spotted lanternfly, a recent scourge for gardeners and landscapers, that made its way from Asia–where it feeds on Ailanthus altissima (tree of heaven). Well, in fact, it did not “make its way” here; it was brought here, inadvertently I assume, through global trade and human intervention. It isn’t the lanternfly’s fault that it is an invasive species. It is human beings’ fault. What if we were to view the lanternfly from other perspectives? What metaphors might it offer us, particularly about being alien, the Other? This is one way to read Gow’s collection.

Gow, who is not yet 30, identifies as an “autistic bisexual genderqueer person” but says they didn’t come out until college. Life in rural Pennsylvania as a person with autism and a sense of being different in terms of mind and gender? There have to be feelings of alienation, or of feeling like an alien. Gow also writes for YA readers, where compassionate understanding of how it feels to be part of, or left out of, peer groups matters; in the lanternfly poems, readers get a sense of empathy even for this damaging leafhopper. That amazes me, and I appreciate it deeply.

When the bugs first appeared, I read as much as I could about how to discourage them from our trees, how to trap them and what their various stages (egg masses, instars) looked like. Mostly I was bent on eradication, with a bit of resignation in the mix–see this post from 2018. After we got them reasonably under control here, they began to move north and west, just as the brown marmorated stinkbugs did shortly after their arrival in 1998. Both insects feed on sap or fruit. They are foreign to our shores but find much to suck upon here and have damaged fruit crops and trees. Although some people find them beautiful–they are much prettier in flight than at rest, brightly translucent red with the sun behind their wings, and their second instar stage resembles ladybugs–they have gained the reputation of being a Bad Bug. Gow writes:

When I called you “host” I meant,
“I love you in a ruinous way.”

That’s from the poem “Third Instar.” In the poem “First Instar,” the speaker wonders how long before “this becomes wreckage? I don’t even know yet what I am.” The creature could be some type of cryptid, developing into something no one can explain or understand. Society offers solutions that don’t necessarily work–ways to eradicate the insect demonstrated on TikTok, laid out on government websites, posted on Pennsylvania Department of Agriculture’s pages. Also the inquiry, in “Home Remedies,” of totally re-imagining one’s body: “Have you tried becoming a different species? Have you really given mammals a try yet?” Wry humor, of a bleak but wildly intelligent sort, pervades many of these pieces. In “Stop the Spread” (pandemic/plague allusion definitely intended):

...I cannot stop myself
from lanterflying: verb meaning to exist ardently
despite not belonging. How did I become so contagious?
Spores, like fireworks, floated from my gills.

I’m not really writing a review here, just sharing my enthusiasm; otherwise I’d have written about the varieties of form/text/layout Gow employs and the structure of the collection, and much more. Anyway, this is the reason I love going to conferences, seminars, readings, small press, and literary events–always something new to me to explore and learn from. Gow’s poems have helped me to develop a kind of compassion for “alien invasives.” The parallels to how society treats its Others–those aliens and distraught foreigners (not colonizers) arrive almost inescapably from the collection. That those who do not fit in nonetheless have value and need appreciation and respect comes through as given. There’s deep heart in these poems.

A bit of awe from me to this poet. (I happen to be reading about awe right now, which may figure in my next post). To find out more about Robin Gow: They have a website with a daily poetry blog at https://robingow.com/dailypoetry/, definitely worth checking out, and their books are listed there.

In deepest fog

Autumn here was a bit dry, but as we approach the winter solstice–mild temperatures, rain, and many days of fog. Fog seems apropos. My mind has been fuzzy lately, clarity of intent and expression lacking. It’s one reason I have not been blogging.

When the air temperature gets up to 45° or 50° F, stinkbugs come out of their torpor and slowly climb up the window screens where they have been hiding or buzz noisily about the rooms, acting as sleepy and undirected as I feel. True, the daylight’s dwindling, and that makes many of us go into a sort of hibernating mode, mentally if not physically (likely a bit of both). True, the Fall semester at the university is in its last week or two and, as usual, is wearing on me.

Also true, it’s hunting season until the 10th, and the deer may be grateful for the fog…at any rate, taking advantage of it. It’s not all negative. Water molecules in the air can be good for plants, hydrating them after a dry autumn. Fog means less dry skin for those of us who wander around outside.

But let’s face it: fog encourages molds and increases the chance of traffic accidents and tends to head people into a low-barometer frame of mind. Foggy-headed. Brain fog. Here’s an informative breakdown of fog’s kinds and outcomes (yes! of course there are categories of fog!) https://mrcc.purdue.edu/living_wx/fog/index.html Some of my readers may find poetry in these categories.

Just before dusk this afternoon, I stood at my window and marveled at the dense cloudiness of the valley, at the stark bare trees snaking their way up through the pale damp air. I felt a twinge of European Romanticism: Caspar Friedrich’s “Wanderer above the Sea of Fog” and all that. The view was analogous to my fusty mind. All sorts of possibilities out there in the mist, nothing to strike toward, no path, potential risk. But beautiful in its way. I thought to myself, “There is something hidden in all this, and among the hidden-ness, things that are dear and familiar to me, not just fearful unknowns.”

The garden is there. The deer. The beech tree, some of its leaves still clinging. The bank voles and the red squirrels, the holly bush, the daffodils underground that will emerge in April. My fog will clear.

Then darkness overtook fog, and the coyotes called their carols in the moist air.