Monthly Archives: June 2016

Wasp redux & reading

Last year, I had my first encounter with a grass-carrying wasp.

Today, I noticed some waxy, crumbly, yellowish bits around the post in which last year’s wasp had built its nest. Then I saw an adult grass-carrying wasp hovering to and fro with a stem of grass grasped in its legs, which led me to this year’s nest–in a different hole in our post-and-beam porch. Who knew the wood had so many little holes in it? The wasps sure found them! Today’s wasp has built in a much harder place to photograph, a vertical spot, behind a post. So last year’s photo will have to suffice.

nest of the wasp

Isodontia: nest construction in progress

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I am not quick at writing poems in response to events, personal or public; generally I need time to consider deeply, to process. I am glad to participate in an upcoming event, however, taking place in Bethlehem PA as a public response to the Orlando Pulse shooting. LGBT citizens of the region, and families, friends and supporters of compassion and awareness, are gathering for a memorial and celebration of support for everyday Americans, which includes–we must recognize, and it would be wise and sane to accept–people who are LGBT/gender fluid & who are just human beings notwithstanding, as are we all.

For those in the Lehigh Valley area of Pennsylvania, the poetry reading is at Sun Inn’s courtyard on Friday July 1. I may not have a poem of my own to read, but I have been reading through my library and have already located several poems by other writers that will serve well as responses to tragedy, personal or national, or which speak to the human-ness of all of us.

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I am doing a little nesting of my own this week, retreating into a metaphorical burrow for a couple of days, I hope. And with any luck, I will emerge with some new drafts of poems.

 

 

 

Garden breach

Summer solstice. The robins are on their second brood; mulberries are ripening, and the bluebirds have arrived for the feast.

Fifteen years ago, we set up my garden to be as impregnable as possible from incursions by deer, groundhogs, and rabbits. We accomplished this by digging a narrow trench on the perimeter, lining the trench with wire mesh fabric, and filling the trench with gravel–after setting the steel posts and putting the steel wire fencing in place. The strategy even deterred weeds for about three years.

But rain and snow and air and therefore rust, along with ground heave and the occasional bump by lawnmowers, have had their way. While deer still ignore the plot, this year, bunnies have breached the fence. It’s time to find a new way to keep them from the edges.

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I have previously written about how fringes and perimeters can be boundaries or places of activity and fluidity, so it seems I am a hypocrite for keeping my rabbits at bay. Maybe I ought to find a balance? Living with their denuding of my carrot tops?

–No, they’ve plenty to eat in my lawn and in the meadow. The balance goes both ways.

Their persistence interests me. Their movements are both awkward and graceful. Their ears are translucent in the early morning sunshine. I don’t mind having them around as long as they stay out of my vegetable patch, and they feed the owls and hawks, whom I also enjoy.

All along the edges…

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Curious information note of the day:

According to neuroscientific studies, less than 0.1% of the information carried in the optic nerve at any given moment passes through the visual attentional gateway (“bottleneck”) after the attentional gateway recognizes a cue; the cue evidently serves as a gating mechanism to regulate the flow of image data.*

What this implies (I think) is that the bunny I manage to spot under the leafy tomato plant in my garden gets processed as “bunny” once my saccadic eye movements, taking in the huge quantity of data from a day outdoors in summer, recognizes something in the shadows that signals “rabbit?” and then filters out other, distracting data from my view.

At which point, behavioral habit kicks in and, like Mr. McGregor, I dash after Peter with a hoe.

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*partial quote/paraphrase from “Dynamic Routing Strategies in Sensory, Motor and Cognitive Processing,” Van Essen, Anderson, and Olshausen 1994 MIT Press Large-Scale Neuronal Theories of the Brain, ed Koch & Davis.

 

On absence

I have experienced a felt absence lately, a sense of missing.

Maybe the world is too much with me. I have responses to the Stanford rape case, responses to the Syrian refugee crisis, to the US presidential campaign, to the mass murder at a gay nightclub in Orlando; responses to some personal challenges, as well–health: my own and loved ones’, among other concerns.

Responding represents the equal and opposite reaction to any action, in a Newtonian metaphor. And what my body and my mind these days are saying to me is “step back, reflect.”

Humans love immediacy–the rapid Twitter argument, the comments on opinion posts, the punch in the gut. Animals need rapid responses in order to negotiate a world of predator and prey; humans, however, (and, more than most of us realize, many other animals) also possess the ability to reflect on what the feelings are. What they may mean. How that meaning may alter our responding mechanisms. We can–if we pause to do so–put ourselves in the place of the Other, imagine different perspectives that may color our responses.

Sometimes, we may need to absent ourselves awhile. To put some distance between our feelings and the conflicts we engage in. We need feelings and we need thoughts, we need responses and we need observation from other viewpoints.

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It occurs to me that poetry is the conversation between the rational, languaged mind and the mind of feeling and imagery. This effort involves the same mind at work on two or more fronts, the human brain constructed as it is to handle multiple levels of feedback, feedforward, and association.

Poetry isn’t “about emotions.” It’s an art that employs language to represent the tension between the rational and the feeling, the mind’s mighty efforts to engage with the difficult and the heart-stirring.

This is how reading about neuroscience enhances my interpretation and understanding of what poets do. I read difficult books and eschew spending time on the internet. I sit on my back porch and ponder. A buzzard swings to and fro above, gliding on the updrafts. I try to heal myself. I cannot heal the world.

 

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Reflection

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“I have known in my life a number of young poets with immense talent who gave up poetry even after being told they were geniuses. No one ever made that mistake with me, and yet I kept going.” –Charles Simic, “Why I Write Poetry” (2012).

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puddle.JPG

No one ever made that mistake with me, either; and, like Simic (though less illustriously, and less successfully) I keep at it. Lately I have been thinking that perhaps it’s for the same reason that, when I was a teenager, I kept sketching self-portraits. I was practicing observation and trying to capture something: a kind of self-reflection that is not entirely in the mind but can be shared–if done skillfully and with intention. And at the end of the task, there was an object. The picture. The poem.