Unsettling

We got some rain on Saturday, which we’ve needed, and dismal cold rainy January days are perfect for settling down with a book. I’m reading The Unsettling of America, Culture & Agriculture (1977) by poet, writer, farmer, educator, activist Wendell Berry, still working at 91–his book Sabbath Poems was published in 2024. I’m much more familiar with Berry’s poetry than his prose, though he’s written at least half a dozen novels and many books of nonfiction. This text, I’ve since learned, is one of his more famous–it’s been revised and re-issued six times. The copy I got from the library is the original version and features cover blurbs by Gary Snyder, Wallace Stegner, Edward Abbey, and Stewart Brand, among others; Publishers Weekly summed up the book as “a cool, reasoned, lucid and at times poetic explanation of what agribusiness and the mechanization of farming are doing to the American fabric.”

Which is a fairly good one-sentence précis, though Berry’s wording often strikes me as more passionate than “cool,” and agribusiness is only one aspect of his critique. I was in high school in the 1970s, and at the time it seemed average Americans were beginning to recognize that pollution and overpopulation could be problematic, that maybe we needed to eat more natural and wholesome foods, and that establishing an Earth Day might help people turn focus toward the planet. Simultaneously, we had Earl Butz as Agriculture Secretary, a man who ended many New Deal programs to help “small” farmers and who encouraged large (eventually, corporate) farms. Butz appears several times in this book, and no wonder; he and Berry debated the topic in public and in print, and their thinking was almost diametrically opposed concerning the philosophy behind agriculture. Berry’s book is a social and philosophical argument that is only somewhat dated and really quite prescient, though he might come off as mildly curmudgeonly to today’s readers. Or maybe not so prescient. He was simply paying attention.

The sections of the book that most resonate with me are those in which he writes of nurturing and relationships, and points out that good relationships involve responsible actions and collaborative, mutual care whether they are marital, family, or social relationships or relationships with the soil, the flora and fauna, the whole planet. He predicts a future in which people live in their houses and not with the land, or even within their communities, and where wilderness is “conserved” so that it can be exploited for entertainment and scenic views. People in the US, he says, don’t feel responsible for the land on which they live; they don’t understand its cycles, its weather patterns, its waterways; their property is merely property–a commodity for convenience and investment. I’d say that future is already upon us.

Thus, Berry has made me think more deeply about my relationship with “my” property. If you’ve read this blog for awhile, you may notice how often I consider weather, dirt, local animals, insects (especially invasive or non-native ones), plants, tree diseases, water–I’m no farmer, but I am a gardener and do feed myself at least partly from my own backyard. I take almost daily walks around the perimeter of our 6+ acres, poking around in the hedgerows, scanning the sky, looking down at walnuts and animal scat, watching for new buds or coloring leaves or bird nests or wildflowers. I worry over droughts and hailstorms and flooding. Climate change concerns me in very local and specific ways, not just in general.

One could say I’m at least trying to nurture the earth. I’ve made many mistakes along the way and done some damage that I’m learning how to rectify; I have also realized that I have to accept some changes, such as incursions by invasive species, because they are beyond my control. Through the almost 30 years we’ve lived on this land, I’ve tried to understand it better. After all, we built a house on it. The soil was hard-packed, acidic, overused from previous decades of corn-growing, full of stones, sumac, and asiatic rose bushes, a fallow field that hadn’t been planted or farmed in decades but didn’t necessarily need me to tend it. It wasn’t my family’s land, and I didn’t intend to end my days here; however, I figured if I was going to live on this spot, I had better do whatever tending and nurturing it might require.

Which is about the best I can do as far as a relationship with the land in which I dwell, and about the best any of us can do in any long-term relationship: try to understand it, get acquainted, do some research, make plenty of observations (maybe take notes), and nurture what seems to need special attention and care. The land has given me much more than I’ve ever given it. It’s offered shelter, beauty, an education, food, the companionship of animal life, cricket sounds, tree frog songs, firefly lights on long summer nights, open spaces for my children to play in, owl calls and fox kenning, the grace of leaping whitetails, dead-fall wood we can burn in winter, forest-bathing, hammock-swaying, inspiration for writing. The wonderful porch here, where I often sit to write in my journal, opens a view to the meadow out back. So many poems started on that porch, with that view…

That’s how the earth nurtures me. May I be somehow worthy of it.

photo by David Sloan 2020

Small, refreshing

Another day. One that the calendar claims occurs in 2026, although at times I disregard the calendar–another human-made thing, and I find so many human-made things destructive and frustrating. It’s not as though a “new” year puts away what has happened the previous 365 days the way I can put away the holiday decor. Which I haven’t actually done as yet. Anyway, we’re still in the first week of January, and Twelfth Night has barely arrived, so if I do want to acknowledge the calendar I can excuse my lack of clearing-away. But I can’t clear away the losses of the past year, and I don’t want to. I want to remember my friends for as long as I can.

It’s true that wintry walks offer quiet splendor (sometimes) and a chance to reflect, but mostly winter affords the chance to stay inside, curled up with a book or browsing through garden catalogs. Theoretically, it’s a good time to revise and submit my work; often, however, I don’t get to that process because winter is also a low-energy time for me. I powered through a fibromyalgia flare two days after New Year’s Eve because loved ones were visiting, but there’s a bit of fallout as a result–worth it, though; and I’m chuffed about taking poetry workshops later in the month. Meanwhile, reading books! I got a Samuel Hazo collection from my local library, I’m reading Wendell Berry and Richard McCann, and Ada Limón’s You Are Here is on my to-read pile. I’ve also felt inspired by the start-of-a-new-year blog posts Dave Bonta has curated on his Poetry Blog Digest. Many writers and books there I want to check out, and many writers and poets feeling some of the same things I’ve been feeling about the past year and what to make of the years ahead.

So to recharge, as it were, I’ll do small, refreshing things this January: take photos, doodle with watercolors, read books, tromp about in boots, meet pals for morning coffee, draft poems, play with images, as per Johan Huizinga–“To call poetry, as Paul Valery has done, a playing with words and language is no metaphor: it is the precise and literal truth…What poetic language does with images is to play with them.”

Gardening in April

Spring seems serious at the moment. Bumble bees already busy at the barely-open pear blossoms. Hyacinths and daffodils everywhere, and muscari and the redbud opening up. Time to spend more hours in the dirt!

The past two years, I have made the vegetable garden less crowded; the children are grown and I do not want to can, freeze, or give away tons of vegetables the two of us cannot consume. I’ve decided to offer a larger portion of the garden to bees and butterflies by adding more flowers to the mix. Also, I have added wood mulch paths. Shredded wood mulch provides a good environment for salamanders, toads, useful insects, and other “minor fauna” (see my book–The Minor Fauna). This year, while tooling around in the soil doing preparation for plantings, I’ve been thrilled to find toads and salamanders–as well as isopods, (pillbugs, sowbugs and woodlice) and, of course, several varieties of worms.

I’ve been in the garden and taken a woodsy walk; every politician and world leader ought to stop whatever they are doing and take long, quiet walks in nature and long, deep breaths and then do some thinking before they make any more decisions. They might want to read some Wendell Berry, too.

Works for me.
~
Berry was only 30 years old when he wrote these poems (and also “The Peace of Wild Things,” which many people tell me is their favorite poem). He has labored on his thinking in the decades since, and remains a poet worth reading.

muscari

April Woods: Morning

Birth of color
out of night and the ground.

Luminous the gatherings
of bloodroot

newly risen, green leaf
white flower

in the sun, the dark
grown absent.

~~

To My Children, Fearing for Them

Terrors are to come. The earth
is poisoned with narrow lives.
I think of you. What you will

live through, or perish by, eats
at my heart. What have I done? I
need better answers than there are

to the pain of coming to see
what was done in blindness,
loving what I cannot save. Nor,

your eyes turning toward me,
can I wish your lives unmade
though the pain of them is on me.

Support for poetry

It is April, and April is National Poetry Month, among many other things that April is.

2017npm-poster_0People have told me that poetry has helped them through times of fear and times of grief. That’s a familiar response when, on rare occasion, I happen to tell someone I am a poet. The thing is–I am not sure poems do that for me. Maybe writing poems helps, but reading them sometimes hurts even more.

Not that hurt is such a bad thing when one is grieving; there is the comforting recognition that sorrow is a shared experience, that others have been through and survived pain and sadness, that there is a community of Others who feel compassion and who can express it well and honestly. Too, there are poets I find myself reading when I just need to hear a familiar voice in my head. That familiarity in itself offers a kind of comfort to this reader.

This week, I am turning to familiar poetry voices although I am reading collections I have not read before. Jane Hirshfield, Mary Oliver, Wendell Berry. “Old friends” of mine.

I am not contributing to National Poetry Month much this year: I am giving no readings and attending only a few. My contribution this year is to book-buying: I have made several purchases of books by poets I do not know well or who are completely new to me.

Book-purchasing from small independent presses and through the poets themselves–not through Amazon, not second-hand–supports poets and poetry publishers. Another way to support poets is to borrow poetry books from your public library, so that the books are noted as “circulating” and thus are less likely to be culled when the library updates its collection.

Love can be expressed and shared in many forms. I ❤ poetry!