
Discouragement, a regular visitor to this writer (and many other writers), has settled into the house with me. Summer is often, for me, a time of writing less and doing outdoor and social things more; this year, though spring was lovely despite torrents of rain, summer commenced with the deaths of two long-time friends, and I haven’t been able to shake my low mood. Now the rejection slips are arriving thick and fast, and I’m questioning the value of my work in particular and of creative writing in general. Like, why bother? What am I doing this for? For whom? What’s my purpose? And under what circumstances? Why?
Brooding certainly offers no help, nor does it change “declined” to “accepted.” Creative persons often find themselves questioning their pursuits, so I have good company. (Having just about completed the last book of Remembrance of Things Past, I can report that Proust’s narrator–largely a stand-in for Proust himself–wanders in the dark through wartime Paris pondering his own decision to try being a novelist and feels discouragement and doubts aplenty.)
Somewhere on a social media platform, I encountered these words by Virginia Woolf (from “A Room of One’s Own”): “So long as you write what you wish to write, that is all that matters, and whether it matters for ages or only for hours, nobody can say.” Good perspective, that, to stop being concerned for how long your writing matters, or to whom, as long as what you write is what you wish to write. And then if you don’t submit your work for publication? Maybe that is something you can live with. Rather, something I can live with; at this point in my life, I have had hundreds of poems and essays published, six chapbooks, and three poetry collections…maybe from now on, I should write (as I always have) for myself. Even if my work is not in fashion, or considered irrelevant, or judged as potentially lasting, it is still what I wish to write, what I find necessary to express.
Though one does write to express things, and expression seeks audience. That’s a perspective for another day, perhaps. Meanwhile, back to weeding the garden and picking cucumbers, beans, tomatoes, zinnias, and sunflowers.

In the pre-digital times I thought long and hard of saving my rejection letters and using them to paper the walls of my writing room. I soon realized I would need a much larger room. Instead I needed the advice of Saul Bellow: “I discovered that rejections are not altogether a bad thing. They teach a writer to rely on his own judgement and to say in his heart of hearts, ‘To hell with you.’”
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Yes, this is how I’ve come to feel about it. And I think I’m writing better since I crossed that mental hurdle. Possibly a lot better. I live alone, so it’s not like I’m unused to dancing as if nobody’s watching.
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But you dance pretty well, Dave (metaphorically, I mean, never having seen you dance…)
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Thanks. My feet do set the rhythm, ultimately, so it’s not just a metaphor.
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There are many Discouragement giants ready to knock you sideways off the Straight and Narrow. Write for yourself and you can never go wrong. Meanwhile – cucumbers, beans, tomatoes, zinnias, and sunflowers – abundance!
All good wishes to you.
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It just occurred to me, rereading the opening of this post in Dave’s letter, that “Discouragement has settled into the house with me” could be a kick-ass first sentence for a poem. Kind of spooky.
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I will mull that over. You are right. I wonder what else has settled into the house with me lately…
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Hi. Pretty much everyone goes through highs and lows. It’s normal. Your mojo is very likely to return.
Neil S.
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