Words others have written

I’m still feeling a bit alexithymic. The epilogue of Canetti’s Crowds and Power seems so prescient to me,* though that may be because of the cognitive state I am in…trying to decide whether or not to dissociate myself somehow from society at a time when that approach seems appealing but irresponsible. Thoughts about consciousness, what it is, and whether it matters. Thoughts about the value (and what do we mean by value?) of poetry and the arts.

~

My sister’s family, and my husband, were in New York City during the 2003 blackout; my husband was at home on September 11, 2001, but my sister and her family–who are long-time Manhattan residents–went through that experience. Some thoughts from Rebecca Solnit (see link below for a lengthier essay from which these words were excerpted).825px-eso_-_the_milky_way_panorama_by

Rebecca Solnit:

On the warm night of August 15, 2003, the Milky Way could be seen in New York City, a heavenly realm long lost to view until the blackout that hit the northeast late that afternoon. You can think of the current social order as something akin to this artificial light: another kind of power that fails in disaster. In its place appears a reversion to improvised, collaborative, cooperative and local society. However beautiful the stars of a suddenly visible night sky, few nowadays could find their way by them, but the constellations of solidarity, altruism and improvisation are within most of us and reappear at these times. People know what to do in a disaster. The loss of power, the disaster in the modern sense, is an affliction, but the reappearance of these old heavens is its opposite. This is the paradise entered through hell.

http://lithub.com/rebecca-solnit-how-to-survive-a-disaster/#

~night

*I may get to this in a future post.

The business of judgment

“Let us start with…the pleasure of pronouncing an unfavourable verdict. ‘A bad book,’ someone says….and he appears to be saying something objective. His face, however, betrays his enjoyment of his words…We constantly catch friends, strangers, or ourselves at this business of judgement, and the pleasure of an unfavourable verdict is always unmistakable.

“It is a cruel pleasure…there is no mercy in it and no caution and it accords best with its real nature when it is reached without reflection. The passion it conceals is betrayed by its speed. It is quick, unconditional judgements which excite the pleasure visible in the face of their author.

Gavel Clipart 31006.jpg“…It consists in relegating something to an inferior group while presupposing a higher group to which we ourselves belong. We exalt ourselves by abasing others. The existence of two opposing kinds, different in value, is assumed to be natural and inevitable. Whatever the good is, it is there to be contrasted with the bad. We ourselves decide what belongs to each.

“For it is only in appearance that a judge stands between the two camps, on the borderline between good from evil…he invariably reckons himself among the good…the things he judges are quite definite and factual; his vast knowledge of good and bad derives from long practical experience. But judgement is also usurped by those who are not judges, whom no-one has appointed, and no-one in his senses would appoint to such an office. No special knowledge is thought necessary…

“At the root of this process lies the urge to form hostile packs, which, in the end, leads inevitably to actual war packs…It depends entirely upon circumstances whether one or the other of these groups engenders enough inner heat to become a pack and attack the opposing group…”

From Elias Canetti Crowds and Power (1960 Masse & Macht; 1962 English tr. Carol Stewart)

Crowds & Power

I am reading Elias Canetti’s Crowds and Power (1960 translated into English by Carol Stewart). About a quarter of the way into the book, I realized how oddly apropos this particular text is to this particular moment–the November 8 election here in the US.

The book I teach in my freshman composition class, Cass Sunstein’s Why Societies Need Dissent, synthesizes with the election season and with Canetti. Pack behavior, herd behavior, individuality and individuals, crowds, rituals, outliers and dissenting voices and the hero and the martyr…anthropologists, sociologists, political scientists, and philosophers who study group behavior note the paradox of wanting to be acknowledged as an individual and wanting to be comforted by the press of the accepting crowd.

I hate crowds, but they are indeed compelling. I experienced the crush and sway and direction and growing of crowds as a much younger person, in city life, on subways, at large demonstrations and, most frequently, at the phenomenon of the rock concert (for other people, it might be the phenomenon of the sports arena).

A crowd is equal. A crowd is dense. A crowd wants to grow and has direction. Yes, watch the behavior of the people in “the pit” at a Bruce Springsteen concert, for example, where the rock star becomes one with his fans, and equal, amid the density and the cheering and the hands-on excitement of the crowd. Aside from our religious rituals, we have other ways of expressing our need to be close together, we humans.

Here’s a crowd-surfing moment with Bruce Springsteen, Paris, 2016.

The power aspect–that is what relates to the presidential campaigning. But I feel too exhausted by the media mayhem to want to draw those parallels to Canetti at this time.

Believe me, though–they are there.

Here is Maria Popova (of Brainpickings) on Crowds and Power. A fine overview. Canetti’s insights also complement the work of such diverse scholars as René Girard and Daniel Kahneman. Much here to contemplate, as I contemplate the weirdness of the present moment.

Language & violence

“To have great pain is to have certainty; to hear that another person has pain is to have doubt.” Elaine Scarry

~

I have finally finished reading Elaine Scarry‘s difficult book The Body in Pain. The subtitle is “The Making and Unmaking of the World,” which offers some idea of how large a topic is under consideration in her text. She examines torture, war, sports as metaphor for war, the creation of god(s), the interiority of and thus the difficulty of assessing pain, the Marxist and Judeo-Christian structures of imagining the world (“making” through art, government, the creation of objects, religions, and concepts), to name a few of her subjects. She considers the utter “unmaking” of torture and war as world-destroying and, ultimately, word-destroying; when the human is in deep pain, the utterances are essentially word-less–moans, grunts, screams–and the experience remains internal and unique to each individual:

“Whatever pain achieves, it achieves in part through its unsharability, and it ensures this unsharability through its resistance to language. ‘English,’ writes Virginia Woolf, ‘which can express the thoughts of Hamlet and the tragedy of Lear has no words for the shiver or the headache.’ … Physical pain does not simply resist language but actively destroys it.”

I love her theories (are they theories? explorations?) of imagination/imagining and creation/creativity. She develops this set of concepts in the transitional chapter “Pain and Imagining,” then applies her ideas to huge social constructs, not just to objects or individuals. I found it difficult to get my mind around the philosophical aspects of her argument–the denseness of her prose can  be tough, though never impenetrable. pain

What sprang to mind for me, among many other thoughts to mull over, is the pang I feel about recognizing that tools that change or make can also, almost always, be weapons as well. The hand or the fist. The sculptor’s knife or the assassin’s dirk. The stone that grinds corn or the projectile hurled at the opponent. The words that comfort, the words that wound. For a writer–a poet (“maker”)–that awareness hovers, always, in the background.

~

Also, Scarry’s book made me mindful of how pain and sorrow employ the language of war and torture. This is irrefutable, and it saddens me. I wonder: is there any way around that fact?

If I could rephrase my pain into words that were not violence-based, could I re-frame my pain? Certainly language has a relationship with consciousness; could there be a placebo effect on my interior sensations if I were to re-name my “pain sensations” as something other than burning, stabbing, numbing, sharp?

Could I unmake the world of pain through a mindful habit of personal language?

[Note: this speculation is not where Scarry goes in her text; it’s just a thought experiment that I have considered based upon some of her observations.]

 

 

 

 

 

Libraries & sanctuaries

I have an article about libraries in the current (online) issue of The Chronicle of Higher Education:

http://www.chronicle.com/article/Its-Not-Too-Late-to-Save-the/238106

brad-hammonds-flikr-books

Remind me not to read the comments…

 

😀

 

& more difficult books…

Difficult books” ends up being one of my most-blogged-about topics. I like to challenge my brain with concepts that rattle the typical, with texts that force me to slow down and puzzle through my tangled thoughts. Right now, I am slowly reading two difficult but extremely rewarding books: Ann Lauterbach‘s The Night Sky: Writings on the Poetics of Experience and Elaine Scarry‘s The Body in Pain.

Both of these writers use plenty of source material that synthesizes (or sometimes argues with) their concepts and explorations. In many cases, these are books new to me, but Lauterbach also quotes from and is inspired by some of my own favorites: Whitman, Emerson, Dickinson, William James. Lauterbach combines what my students would call a geeky interest in theory (literary and social) with anecdote, musings, and a collaged or transgressive approach to the argument or critique. This is to say I admit I do not always know where she is going with her essays, even at the close of them. And yet–her interweavings fascinate, her choices surprise. She’s a master of the pithy definition (“Poetry is…”), but she allows for many perspectives, many definitions.

brad-hammonds-flikr-books

Brad Hammonds/Flickr Creative Commons

Scarry’s text covers a different domain, though theory certainly has a place in her book. The Body in Pain examines what pain is–semiotically, physically, its interiority, its defining characteristics, the portrayal of pain in art and literature and what that tells us about the body, the Self, and the shared understanding but individual experience of pain. I have not gotten much beyond the second chapter of her book, but I already feel myself inquisitive about aspects of human pain that I had never even considered before; who thinks about pain except when feeling, or anticipating feeling, pain? Of course we know what pain is–until we try to describe our experience of it to another person.

I’ve had that frustrating experience numerous times (here’s Ally Brosch of Hyperbole & a Half with the best solution to pain charts), but I have not devoted much time to exploring why pain is so individual despite our universal recognition of its existence; also, it had not occurred to me why we so often doubt others’ pain. Scarry says we have developed no particular understanding of the phenomenon, one reason she undertook the writing of this book.

Meanwhile, the semester continues apace and my students are interested in argument after all, it appears; and the bounty of late tomatoes has arrived with much processing to do before they all rot. My time spent blogging will be brief in the coming weeks. 🙂

 

Complexity of perspective

A brief aside in which a contemporary philosopher admits of complexity among humans as social animals and implies (later on, more specifically illustrates) the challenges that individual consciousnesses create in resolving conflicts, or even in making individual decisions as to what is “right.” But what a thrilling capacity, if frustrating to theorists, our multiplicity is:

Human beings are subject to moral and other motivational claims of very different kinds. This is because they are complex creatures who can view the world from many different perspectives–individual, relational, impersonal, idea, etc.–and each perspective presents a different set of claims…The capacity to view the world simultaneously from the point of view of one’s relations to others, from the point of view of one’s life extended through time, from the point of view of everyone at once, and finally from the detached viewpoint often describes as sub specie aeternis is one of the marks of humanity. This complex capacity is an obstacle to simplification.

–Thos. Nagel, “The Fragmentation of Value”

Yes, an obstacle to simplification–but juicy and interesting, which clearly Nagel rather relishes. Viva complexity!

~

For a philosophical discussion particularly pertinent to the US presidential campaign this year, see his “Ruthlessness in Public Life.” Both essays are chapters in Mortal Questions (1979).

 

 

Nagel, on stepping back

From Thomas Nagel’s 1979 Mortal Questions, and still relevant today (as philosophy tends to be), on doubts, questions, and the value of being reflective and skeptical. My italics to emphasize the sentence in paragraph 3:

“Leading a human life is a full-time occupation, to which everyone devotes decades of intense concern.

This fact is so obvious that it is hard to find it extraordinary and important…Yet humans have the special capacity to step back and survey themselves, and the lives to which they are committed, with that detached amazement which comes from watching an ant struggle up a heap of sand…they can view it sub specie aeternitatis–and the view is at once sobering and comical.

…this is precisely what provides universal doubt with its object. We step back to find that the whole system of justification and criticism, which controls our choices and supports our claims to rationality, rests on responses and habits that we never question, that we should not know how to defend without circularity, and to which we shall continue to adhere even when they are called into question.

17435196-Sand-anthill-of-excavation-black-ants-Lazius-Stock-Photo.jpg

source: Instagram stock photo from sochicat

The things we do or want without reasons, and without requiring reasons–the things that define what is a reason for us and what is not–are the starting points of our skepticism.”

We judge and choose based solely upon our own perceptions and experiences–it seems unnatural to do otherwise; yet stepping back makes it somewhat possible, through listening and observation, to make connections and find relationships with what is Other than ourselves. First, we must agree to feel skeptical about our own view of the world and to pose inquiries and then to shut up and pay attention to someone else’s experience of the human occupation. (See my post here.)

I do, however, admit–as Nagel does–to the limits of philosophy as relates to public policy. Whether reflection can change the methods of oligarchy, capitalism, dictatorships, the Leviathan, revolution, social attitudes, the masses, democracy, or the Republic has already been answered:

“Moral judgment and moral theory certainly apply to public questions, but they are notably ineffective. When powerful interests are involved it is very difficult to change anything by arguments, however cogent, which appeal to decency, humanity, compassion, or fairness. These considerations also have to compete with the more primitive moral sentiments of honor and retribution and respect for strength. The importance of these in our time makes it unwise  in a political argument to condemn aggression and urge altruism…the preservation of honor usually demands a capacity for aggression and resistance to humanity.”

We continue to adhere to unfounded but deeply ingrained notions we cannot rationally justify, and that remains a truly interesting aspect of human life. It is a set of notions I do not criticize nor defend, but which I do think we should question.

Even as we vote–if we bother to vote–with our guts and our resistance to what is Other, even as we defend those powerful interests from which many of us benefit, we should keep up our inquiry and work on becoming more aware of other human beings’ situations and sufferings, joys and social experiences. One thing about the human being and the whole human endeavor: as long as we possess our consciousness, we also retain the startling and magnificent ability to learn new things.

Here’s to life on the anthill.

termite-hills-Steve-Tobin-5

Steve Tobin, “Termite Hill,” 1999–stevetobin.com

 

 

 

As to what matters

What matters, at this moment, are compassion and communication–and recalling that communication requires listening, especially when we assume we know what the Other will say. [The Other may be black, or white, or a parent, or a politician, or of a different culture, etc.]

http://blacklivesmatter.com/

To people of color in the United States of America, in particular to African-Americans: Ask your questions. Speak up. I understand that some of you are prepared for argument and rhetoric, others for fear, anger, and defensiveness. You are tired, perhaps, of speaking up. Tired of the resulting outcry and pushback and character assassination and judgment and stereotyping. Tired of the pain. I get what you are feeling, even though it isn’t my personal experience, even though my social experience differs from your social experience.

Speak up nonetheless. Many of us finally recognize the need to listen. It matters because once someone signals readiness, true perspective begins. Because connections must occur before listening can occur. Where do we begin?

“Why don’t you listen?” is a good question, though it tends to put the Other on the defensive. If, however, people can hear genuine curiosity behind the interlocutor, there may be a moment of pausing to reflect: “I thought I was listening. Why do you think I am not?” Both parties need to ease the borders a bit (not a popular thing to do, I know).

So often, perspectives vary so widely that each of us carries into the discussion a host of unspoken assumptions based upon the only experience each of us has–our own. No one can ask the child-like, curious questions without being accused of hidden or not-so-hidden agendas.

I am reminded of an old saw one of my high school teachers wrote on the chalkboard:

Screen shot 2016-07-12 at 12.18.21 PM

Learning to listen and to accept and to formulate questions reminds me of the process of raising children. Really. My perspective as an adult in the world–my assumptions–so often trumped what my children were experiencing as small people with totally unexpected and intriguing perspectives on life. I had to learn to listen to their points of view at least some of the time, and I was always rewarded with insights I would not have discovered on my own. (I referred often to the Faber & Mazlish book How to Talk So Kids Will Listen and Listen So Kids Will Talk when my children were at home.) We have to make ourselves more aware, and much much much more patient than usually comes naturally, as parents and as members of a wider community than human societies have ever encountered before.

Yes, we yearn for answers. We do. That yearning may be part of the human genome. But just like our brains, and our conscious sense of self or selves, it’s complicated.

It would be helpful for all of us to recognize that listening to questions, and forming more inquiries–rather than answers or arguments–supplies the basics of Socratic inquiry. For the methods application in contemporary society, check out books by Christopher Phillips. Despite my occasional ramblings and speculations on rational thought (see many of my previous posts on argument, pedagogy, philosophy), argument may not be our best human tool at all times. The best human tool is compassion.

What matters is that human beings, whatever our color or culture, enter into relationships with one another and with our environments. That we admit to complexities and to questions; that we remain curious, which opens us to connections and enables us to see how vital all kinds of relationships are. Do people need to be reminded that #BlackLivesMatter? Yes, alas, people do. While a few of the social majority of human beings in the USA are more cognizant than usual, grab the moment. And people? Listen.

Because there actually is but one species of human being. Let us be homo sapiens–wise, judicious, sensible.

 

Beatrix Potter, interdisciplinary artist

Beatrix Potter came to mind yesterday when I watched a young rabbit struggle into a fix as it tried to escape from me through the newly-reinforced fencing. It had gotten in at a spot we left open after some hours of work on a hot day yesterday, but it could not locate the open span when I cornered it among my beans.rabbit-014

In “The Tale of Peter Rabbit,” Potter writes: “Peter was most dreadfully frightened; he rushed all over the garden, for he had forgotten the way back to the gate…he ran on four legs and went faster, so that I think he might have got away altogether if he had not unfortunately run into a gooseberry net…”

Very observant description of cornered-bunny behavior. I felt rather sorry for the bunny in my vegetable patch. It had squeezed itself between a gap and then found itself impressed against chicken wire, and for a few seconds there was a mash-up of fur, feet, and fencing in a whir of sheer panic. The rabbit freed itself, however, with an acrobatic twist through a gap, ran back into the garden; and after a few false tries, finally located an unreinforced section of the garden fence and escaped toward the hedgerow.

~

Potter was an admirable writer of engaging prose, a terrific watercolorist and an amateur mycologist whose careful observations of the plants and animals in her Lakes District farm environs still draw admirers to her work. I think of her as a kind of turn-of-the-century interdisciplinary artist, though I cannot imagine she would ever perceive of herself in that light. She might agree that she was an excellent observer of the world–a quality that benefits scientists, artists, writers, journalists, and farmers. If all you think of when you see her name is “children’s books,” go to the Beatrix Potter Society’s website and learn how much you did not know about her.