Category Archives: Teaching & Pedagogy

Dewey & education

I have taken it upon myself to read Dewey after many years’ hiatus from his remarkably clear prose and his fervent support of free, equal, and accessible education for all. The essays in his Philosophy of Education (Problems of Men) were written between 1935 and 1945 and yet in many ways are relevant to 2014: In his era, technology has led to enormous social changes, as have global conflicts; school districts are under pressure to conform to top-down management and are feeling the pinch as politicians cry for school-tax cuts; more young people than ever graduate from high school and college, only to find that jobs are not available for them; an economically-advantaged elite dis-empowers the middle- and working-classes by using class, money, and networking to subvert or gut the democratic system. What is the philosophical, patriotic pragmatist of 1940 to do? Urge people to exert themselves into action, of course.

Dewey’s passion for education and his pragmatism appeal to me even when I do not wholeheartedly agree with his premises, proposals, or–alas–his optimism. Right from the introduction of this series of essays, he sets out such sensible observations about culture, society, and government that it is hard to disagree with him; his works always begin with a straightforward clarity that is refreshing among philosophers. One of the most trenchant observations he makes, over and again, is that the education of the citizenry must change as social developments occur; education must not remain in stasis and, he insists, democracy must also be flexible and living, always moving with the current times:

“I find myself resentful and really feeling sad when, in relation to present social, economic and political problems, people point simply backward as if somewhere in the past there were a model for what we should do today…We have a great and precious heritage from the past, but to be realized, to be translated from an idea and an emotion, this tradition has to be embodied by active effort into social relations…It is because conditions of life change that the problem of maintaining a democracy becomes new, and the burden that is put upon the school, upon the educational system is not that of merely stating the ideas of the men who made this country…but of teaching what a democratic society means under existing conditions.”

My italics in the passage above are there to indicate what I feel is Dewey’s most enduringly important recognition–that social conditions change, and, to stay vital, the foundations of a society need to be resilient enough to be adapted to existing conditions. Tradition has considerable value, but a too-conservative approach to law or education or any other abstract, social construct will fail in time, Dewey says. There is “an inherent, vital and organic relation” between democracy and education that reflects democracy’s recognition of “dignity and the worth of the individual.” As a person who engages in the task of educating others, and who finds she frequently has to change the curriculum to keep up with the technology and the changing mood and environment surrounding her students, I’m glad to be reminded of that organic relationship. It’s important to me that each individual I instruct, advise, and (in turn) learn from feels that he or she embodies dignity and worthiness.

Much as I enjoy reading and thinking about philosophy, it seldom gives me a “warm feeling” the way Dewey’s well-considered, thoughtful words do. He saw the need for balance and for growth–human growth, interpersonal and social growth–which he posited could be achieved through the conscious, considered, informed actions of well-meaning people in community. Educators are, by such lights, among the foremost in the endeavor. Certainly Dewey thought they were.

larch cones by Ann E. Michael

 

Youthful narcissism

“It’s not all about you.”

zits004(Many thanks to those geniuses of the adolescent mind, Jerry Scott and Jim Borgman, creators of Zits.)

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…Or is it? Psychologists, neurologists, and even philosophers seem to agree that human beings need to develop through the stage of self-centeredness in order to attain a mature sense of self-in-the-world. We do not recognize the world at large without finding a way to validate or maintain the self or consciousness that we are given.

One method of defining who that self is, what selfhood entails, is through dissent. The two-year-old who shouts “No!” establishes the foundation for the later process of expressing selfhood through making oneself distinct from others–sometimes through disagreement. As I guide my latest freshman class through the understanding of argument as reasoned discourse in an academic environment, one of my purposes is to encourage them to feel free to disagree as long as they can support their reasons for doing so. To accomplish that task, sometimes they have to learn how to “step back” from themselves a bit (see my last post).

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Yeats: “We make of the quarrel with others, rhetoric, but of the quarrel with ourselves, poetry.”

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I am aware that most of my students’ dissenting opinions will occur outside of the academic environment, i.e., in “real life.” Real life could benefit from a little more reasoned discussion and fewer overheated, intuition-based gut reactions and ad hoc attacks. Often what people (and students) need is what we desperately try to avoid: difficulties, complexities, challenges. Okay, I’m whistling into the wind…still, I’ve written about the topic briefly here.

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…and maybe the narcissistic 18-year-olds who come to college subconsciously thinking “it’s all about me” are actually reasonable human beings whose developing conscious awareness of self is ready, (almost), to feel the push-back of the world against the whining ego and recognize that respect and understanding require wide perspectives and differing methods of operating in the world. Maybe they are ready to move beyond mere opinion and into the realm of thinking about thinking, analysis, generosity, compassion…and facts, if we can discern what’s factual.

Maybe they are ready to begin the quarrel with themselves.

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Dissent, controversy, & opinion

It may be obvious that, in this blog, the writer tends to shy away from highly controversial contemporary issues–with the possible exception of my occasional strong views on education–even though philosophical and critical arguments are part of my job and integral to my life interests. One possible explanation is that I am, as Charles Schultz memorably popularized, “wishy-washy.” (This strip is from 1952, © Charles Schultz):

Peanuts

And a little destructive criticism from 1959….

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Indeed, my students sometimes get annoyed with me because I do not take sides during class discussions of controversial topics. “Don’t you have an opinion?” they ask.

Why, yes, I do. It is not my job to share my opinions with students, however, as much as it is my job to make them think more than once about their own opinions. It is also my job to help them navigate the complexities of critical thought, weighing “both sides” (and pointing out that many controversies have many more than two sides), and learning that perspective can deepen understanding and sometimes even alter opinions. This approach is far from wishy-washy; it is courageous. It can be risky to analyze rationales and points of view that differ from your own, and risk takes courage.

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A good book that explores the courage it takes to analyze and, often, to dissent from the normative view is Cass Sunstein’s Why Societies Need Dissent. Sunstein argues that truly free societies need to permit dissenters room for expression and criticism; he provides evidence that without dissent, societies fail to thrive through change. Because growth is a change process, societies that resist change too rigidly fall apart.

This year, my class and I will be exploring Sunstein’s text in an effort to recognize the kind of thinking and evidence needed before one writes an essay. I hope they apply these ideas in their freshman Philosophy course.

I hope they apply these ideas in my course, for starters…

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Argument has a negative connotation in American English, so many critics substitute the word discourse. I have no problem with such a substitution: the term discourse seems to connote politeness and respect, behaviors necessary for useful dissent and analysis of alternative perspectives. The philosophical argument, whether taking place in philosophy class, conference hall, or koan, operates most productively and insightfully when predicated upon mutual respect for differences.

Dissent as discourse may not be the most natural behavior for human beings, but it is something we can demonstrate and coach in the university classroom.

With any luck, both students and teachers may be able to apply the techniques to other areas of our lives. Along that vein, here’s an easy-to-interpret Buddhist explanation from New Lotus on how to approach argument in the Buddhist way.

GFS2

 

 

 

Preparation

As I prepare for the upcoming semester, my thoughts turn from weather, the garden, and philosophical readings to the gnarly process of educating the young adult. In fact, I just spent four days with a group of 46 incoming freshmen who were involved with an intensive college preparatory orientation. So much potential there. So many high hopes.

What tends to be lacking is “grit.” Most young adults have not yet developed the mindset that accepts the unavoidable need for hard work, for mastering skills that are tedious, for thoroughly and correctly finishing assignments that bore them–all in order to attain the seemingly far-off goals they have set for themselves. I don’t blame them for this attitude, since I shared it when I was their age.

And growth is as hard as it is rewarding. I like what blogger Danny Anderson says:

“Education is growth, and like all growth (think of your shins at night when you were a teenager) it is painful and requires struggle. At its most basic level, education is the twofold act of acknowledging a shortcoming in one’s self and working to improve in that area. This is simple, but, if taken seriously, brutal.”

Acknowledgment of this kind takes reflection, and effective reflection takes analysis; and few 18-year-olds in the USA are spectacularly skilled at analysis (of self or of any other kind). They know precious little about themselves, the job market, adult society’s expectations, college expectations, debt load, and back-breaking personal responsibility.

And that’s ok, as long as they learn these things in good time, which most of them will.

I agree with Professor Anderson’s assessment that many students arrive at college thinking that four years of grind and partying will get them a diploma and a magical job offer, and that such assumptions are woefully in error. He writes, “Education is not a product you purchase and consume. You are not a blank slate waiting for me to write something marketable on you. On the contrary, Education is something that consumes you.”

That’s one thing I always understood about education, even when I was as irresponsible and callow and un-grounded and enthusiastic as the students I’ll be teaching later this month. Even now, I am preparing for my Education (continuing, always) to consume me.

If you’d like to read the rest of Anderson’s post, it is here.

Maximally bent & broken

bent and broken

bent and broken

The linguist/scholar David Crystal writes that “Poetic language is the domain where linguistic rules are maximally bent and broken.”

The context here (in his book The Stories of English) is an explanation of how historians of language accomplish their sleuthing; Crystal notes carefully the differences between written and spoken versions of the same language, not to mention dialects and artistic expression and diversified diction based upon the intended audience, and uncertainty as to region, origin, and date of the manuscripts and texts under scrutiny. He cautions readers not to take linguistic theories and received stories about language evolution too readily; the story is a multitude of stories, examinable from a variety of disciplines and perspectives. Much of the story is ephemeral, being oral/aural and carried on in dialects. A fascinating puzzle, really, full of lacunae and contradictions…and a reminder that when I am in my teaching role, I should remain mindful that Standard English is something of a misnomer. A living language, as Crystal demonstrates, operates on many levels and evolves concurrently with social, economic, religious, and technological trends.

I fervently agree that poetry offers language new routes of expression, a place to expand, warp, and break rules while managing all the same to convey information. The information may be conveyed in surprising ways, though, non-standard ways: neologisms, compound words, old words used in a new fashion, or as a different part of speech. Poetry is a major arena for this sort of experimentation, though not the only one. Further, I am inclined to follow a non-prescriptivist approach to writing  even though my job at the college is to impart the basic rules of Standard English, a task which (alas) tends to involve judging things as less-than-correct or “in need of improvement” for the sake of clarity and general comprehensibility.

Should I therefore be more tolerant of non-standard use of the apostrophe? I’m not quite ready for that, because the resulting texts are still so frequently confusing. The point of good writing is, most often, to convey information–though that could be argued–

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Crystal points out that much stereotyping of speech patterns and much arbitrary standardizing (to the degree possible) has been due to our creative writers, and compounded by writers’ love-hate relationships with printers (and, later, editors) who rely upon codification. A widely-literate audience benefits from generalized written standards, he notes–but there’s no need to become “Grammar Nazis” despite human beings’ natural inclination to be conservative and, let’s face it, contentious. He takes a sociological all-embracing stance about English, welcoming changes.

Having read this text, I am of the opinion that ours is another of those linguistically-transformative periods of messy additions and alterations thanks, largely, to technologies and the sciences but also to media and particularly social media. [viz, meme. What an adaptable coinage!] As long as I have been teaching, I have reiterated to my students that I am giving them a code, a tool, Standard Written English; the way they speak or write is not wrong or incorrect. It is simply not clear and standardized enough for academic work. Get the right tool for the job!

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Crystal lauds Samuel Johnson for his zeal for language and languages and dialects, even as Johnson sought to “stabilize the disorder” of English in the 18th C. The author goes on to insert his view that prescriptive, “correct” approaches to the language “prevented the next ten generations from appreciating the richness of their language’s expressive capabilities, and inculcated an inferiority complex about everyday usage which crushed the linguistic confidence of millions” (not to mention enforced class distinctions even further). I need to remember this balance between clarity and variety. I admit I have been a not infrequent eye-roller at the “sloppy, slangy, abbreviated” English of television, tabloids, Twitter, texting, and my students’ lingo. It is refreshing to think of these annoyances as potentially enriching–rather than degrading–to the language I love to read, speak, and write.

When I read poems, I know there are writers who employ archaic words, dialect words, slang words, colloquial syntax, interrupted syntax, irregular capitalization and punctuation, neologisms, invented compound word-phrases, curses, technology terms, scientific jargon, Latin, Spanish, Spanglish, Chinese, obscure place names, alternate spellings (orthography)…and on and on. Some are looking back; others look ahead. Some are encapsulating the moment–now–in the framework of a verse. They bend and break the language in startling, haunting, beautiful, memorable ways. This they can do because a living language allows them to.

Mimesis

Mimesis: “Imitation, in particular. 1.1 Representation or imitation of the real world in art and literature”… “a figure of speech, whereby the words or actions of another are imitated” … “the deliberate imitation of the behavior of one group of people by another as a factor in social change” (OED).

“Nature creates similarities. One need only think of mimicry. The highest capacity for producing similarities, however, is man’s. His gift of seeing resemblances is nothing other than a rudiment of the powerful compulsion in former times to become and behave like something else. Perhaps there is none of his higher functions in which his mimetic faculty does not play a decisive role.” —Walter Benjamin (“On the Mimetic Faculty,” 1933)

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From time to time, I mull over mimesis and its role in human learning. Research on animal behavior since Benjamin was writing has somewhat undermined his assertion that the “highest capacity for producing similarities” belongs to human beings, but the concept remains generally accurate. What I notice among my students, however, is the human ability to perceive differences. My students much prefer to focus on what makes things different than on what makes them similar, but perhaps the reason is that similarities seem so obvious (due to our capacity for “producing similarities”) that we take them for granted. I introduce poetry to my students as an ancient art derived from exactly what, no one is certain, but likely from invocation or ritual or song or the human desire for narrative–and I tell them that it has been carried along through history by, among other compelling things, mimesis–that mimetic faculty we possess that makes us want to repeat or copy, in order to learn, to love, to pass along, to entertain, to communicate, to enjoy. We can look in the mirror and see another human’s face, or our own faces slightly changed through the process of copying another.

The mimetic urge has a long history among those people who intellectualize. Theories of Media (Univ. of Chicago: W. J. T. Mitchell) glossary offers a concise but comprehensive “mimesis” entry authored by Michele Puetz–the article in which I found the Benjamin quote above. (By the way, the Theories of Media glossary project is a great resource!) As I looked through my go-to philosophy resources, though, I was left with the distinct impression that the concept of mimesis has moved from the realm of the philosophical–Plato and Aristotle are our main thinkers on mimesis in the philosophical arena, so that’s pretty far back–and into the realms of sciences, both social and biological. Mimetic response has been researched, and speculated upon, by psychologists, cultural anthropologists, and neurologists (see the initial excitement about “mirror neurons” in this 2006 New York Times article). The term has found considerable employment in the writings of Rene Girard, whose writings span cultural anthropology, literary criticism, psychology, theology, and philosophy.

Writes Gabriel Andrade, in the Internet Encyclopedia of Philosophy:

“Girard believes that the great modern novelists (such as Stendhal, Flaubert, Proust and Dostoevsky) have understood human psychology better than the modern field of Psychology does. And, as a complement of his literary criticism, he has developed a psychology in which the concept of ‘mimetic desire’ is central. Inasmuch as human beings constantly seek to imitate others, and most desires are in fact borrowed from other people, Girard believes that it is crucial to study how personality relates to others.”

Clearly, human psychology and biology cannot be simplified to mere reflection and copying, but it is equally clear that the metaphor of mirroring can be fruitful as we explore the complexities of mind and consciousness, culture and art. Sometimes I take on the role of educator; and when I do so, I recognize the need for student learners to imitate, to hear information repeated, and to attempt to create their own “similarities.” Sometimes I take on the role of poet; and when I do that, I am clothed in centuries of form, rhythms, sounds, similes, stylings and borrowings and references: copies and reflections, altered through time.

Mirrored Room by Lucas Samaras

Mirrored Room by Lucas Samaras Photo: © Albright-Knox Art Gallery/CORBIS

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A brief aside: When I was eight or nine years old, I went with my parents to an art museum–it may have been the Chicago Art Institute–and there was an installation of Lucas Samaras’ piece “Mirrored Room.” [See the photo at left.] I was deeply impressed by the mirrored room, partly because it was inside this artwork that I finally understood, metaphorically, the concept of infinity. I was awed by the many diminishing selves I could see, the way a single “I” could change (in size), and by the tricks of light and how easily one could get lost in such a small space.

The mirrors copied me.

Mimesis implies something active, a borrowing, a taking–a kind of theft, on the one hand, and a kind of tribute or ritual motion on the other. It is also inherently continuous. The behavior does not stop at the first copy; it is carried on, perhaps through generations, like DNA.

Here is the brilliant Anne Carson:

“[It’s] what the ancients mean by imitation. When they talk about poetry, they talk about mimesis as the action that the poem has, in reality, on the reader. Some people think that means the poet takes a snapshot of an event and on the page you have a perfect record. But I don’t think that’s right; I think a poem, when it works, is an action of the mind captured on a page, and the reader, when he engages it, has to enter into that action. And so his mind repeats that action and travels again through the action, but it is a movement of yourself through a thought, through an activity of thinking, so by the time you get to the end you’re different than you were at the beginning and you feel that difference.”

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Carson describes how I feel when I’ve read a poem or novel that moves me deeply. For that matter, it is how I feel when I find a work of visual art, or a play or dance, that seems to speak with immediacy to my own sense of experience, which arouses my passion, compassion, or emotion and alters my entire psyche for awhile– “by the time you get to the end you’re different than you were at the beginning and you feel that difference.”

Sometimes I even manage to compose a poem that gives me that sense of feeling different than I was at the beginning. On those rare times, I may look at myself in the mirror and see a changed face.

 

End of semester crunch

The university year here in the USA is almost over; at my college, today is the last day of classes, and next week is final exam week. As a result, I have little space in my mind for speculative musings and little time for reading–other than reading student papers.

This is also the time of year when my colleagues in academia, feeling stressed and slightly burned out, share stories from the trenches and sigh over perceived inadequacies of students in general, higher education in general, academic administrations in general, and life in general. I admit to occasionally joining the chorus, but this year I am making a concerted effort to refrain from generalities in order to cultivate a bit more mindfulness and compassion.

I have been thinking a great deal lately about stereotyping and how the short-cut of pigeonholing people by general traits, which demographics tends to bolster as sociologically “true,” can hinder the ways human beings interact and value one another. Most of us shy from outright stereotyping by race; and many of us are aware that there are ingrained stereotypes concerning sexual preferences, disabilities, and nationalities about which we ought to try to be sensitive. So I would like to remind my colleagues–who do have every reason to be exasperated as the academic year closes–that much as we want to generalize people by their generation or their status as students, each one of them is a human being, individual, unique, with his or her own burdens and inconsistencies, worthy of compassion.

Not necessarily worthy of a higher grade than they’ve earned…that would not be compassion so much as rescuing or caving to some sort of pressure. But when we must place an ‘F’ on the transcript, I hope we remember to do so with compassion rather than irritation, resentment, or triumph.

photo by Patrick Target

The “Black Madonna” –A view from the heights of the DeSales University Campus; photo by Patrick Target

 

There are other stereotypes we employ regularly, partly because language was invented to get information across to others rapidly, and generalities offer the expediency of compressed information. The culturally and perhaps evolutionarily ingrained “us vs. them” attitude of included, excluded, and outliers of community also lends itself to forgetting the individual. As a person who often takes such language- and thinking-related shortcuts in conversation (and in little angry rants), I am in no position to chide my fellow human beings about their shortcomings. I do, however, want to remind myself that it would be a good idea to recognize, in my heart, that general judgments of others occur all too easily–unconsciously–unmindfully.

Now, back to the pile of student papers. {crunch, crunch, crunch}

 

Leading the witness

Please forgive me if my recent posts are devoted more to teaching than to poetry, gardening, and speculative philosophical thinking–the semester end approaches, and I am endeavoring to ascertain whether my students have acquired any new knowledge about poetry and literary analysis. There are these supposedly-evaluative items known as “grades” which I must register for the college administration.

Spring and AllSo, exactly what, if anything, have they learned thus far? Considering that for the first few weeks of class I practically had to apply forceps to their vocal chords to get them to speak in class at all, let alone express a thought concerning poetry, most of them have progressed. Only a few students volunteer to answer a question I pose or offer an opinion in response, but when I look one of them in the eye and ask “What do you say?” I now get an answer instead of an embarrassed shrug.

This is headway indeed. Granted, the method I have used to initiate response might more accurately be called “leading the witness,” as opposed to Socratic inquiry. Most college sophomores I’ve met are so stymied by the whole genre of poetry that the classic method of advancing knowledge through inquiry results in nothing but puzzled silence and guessing, most of the time. I soften the approach by suggestions that, I hope, will lead to inference on the student’s side but that do not give away exactly what I am looking for. Because I do not always know, myself, what I am seeking. Because I want, once in awhile, to be surprised and delighted by a student’s inference–usually a point of view I have not previously considered (because I am not 19 and not a literature novice).

One of the things I love most about good poetry is the opportunity to be surprised, and perspective shifts offer the unexpected. I can lead the witness, perhaps, but I cannot lead all 30 witnesses (or whatever number of them happen to be paying enough attention to be led). The student I call on will respond directly and then inspire other, slightly variant, responses from classmates.

A discussion may actually ensue! Oh, joy!

I try to take note of which students seem to be engaging most actively so I can somehow calculate that into the evaluation, but I have not really developed an effective way to indicate the hoped-for “a-ha!” moment into a grade.

Theoretically, grades are objectively based upon a carefully-constructed rubric that reflects what the student knows about the discipline or subject area. I have therefore invented criteria, percentages, and the like for assessment as required by academic best practices–or at least by academic protocol. Having been always a student at seminar-style, narrative-evaluation-based higher education institutions, I admit that I find the typical grading methods disheartening and arbitrary.

Meanwhile, I continue leading the witnesses until the end of the semester.

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By the way: It is April, and once again National Poetry Month. Please, go out and purchase a book of poetry. Or borrow one from the local library. Shout your barbaric yawps into the springtime air!

IMG_0575Iris reticulata

Enter the philosophy paper…

My “day job” at a small university is part administrative, part teaching, part assessment, and largely tutoring in writing. The last of these requires a peculiar balancing act, because my directive says I must not tutor discipline content; I have to tutor students toward “clear expression” while staying within the areas of grammar, spelling, vocabulary use, assignment interpretation, thesis writing, paper structure, and documentation. As a job description, that all sounds quite clearly delineated and objective enough, but writing well cannot happen when the writer fails to understand content material. Enter the Philosophy paper.

In any discipline, it’s difficult to separate tutoring “clear expression” in terms of grammar and vocabulary without also tutoring content. With philosophy that process is especially challenging, because to a large extent, philosophical understanding (content) relies on grammar (rhetoric). A student can contradict himself simply by neglecting to type the word “not” in a sentence, rendering his attempt at argument void. Or a student may announce she will use one approach to prove her claim and then prove the claim, quite adequately, with a different (and opposite!) approach.

This bust resides in the Louvre, and was found here: http://www.humanjourney.us/greece3.html

This bust resides in the Louvre, and was found here: http://www.humanjourney.us/greece3.html

Cases like these cause me to ponder. How can I coach the writer without offering a content-based answer? Philosophy itself supplies the method: inquiry.

“So, you say here that because Locke believed in Natural Law, he would not apply Natural Law in the case of the social contract. Can you explain that statement? Because it seems as though you are contradicting yourself, unless you accidentally added the word ‘not’ or unless you have more to say after this sentence…maybe, why he would not do so?”

“Here, you do a pretty good job explaining why beauty is in the eye of the beholder, although you need to pay more attention to your use of the comma. But back at your claim in paragraph one, you say you will prove beauty is transcendent–and your definition of transcendent doesn’t work with your argument in paragraph three…do you mean beauty is not transcendent? Did you forget a word, or are you missing a paragraph of explanation?”

When the science students or economics students bring papers to me, it is, I admit, much easier for me to stick to grammar and mechanics. The same sorts of logical structure or argument issues crop up, however. Sometimes, I feel as though I am right on the borderline, and sometimes I think I’ve teetered a bit too far into content tutorial–especially when the students are writing about history, philosophy, literature, or philosophy. Yet would any philosopher disagree that you cannot completely disentangle grammar logic from any other kind of logic? They stem from the same root.

Humanities high horse

runninghorse2It is the Year of the Horse, and I’m on my high horse again about the value of the humanities and the liberal arts education.

A recent article in the Chronicle of Higher Education reports on studies concerning what preparation a liberal arts degree offers to students once they enter the workforce and suggests that the long-term outcomes (in terms of career and steady employment) bode very well. As I embark on another semester of trying to persuade sophomores that the study of poetry can offer some value to their lives, it helps me to know there is at least some evidence that I’m not just making this up!

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Artwork source: Steve Lohman of LineArt Gallery; lineartgallery@gmail.com